Marvin Hamlisch |
Edward Kleban |
You know what it’s like when a song gets stuck in your mind.
It becomes a squatter, taking up residence, stubbornly refusing to leave.
Unfortunately and annoyingly, there are some songs that hang
around far too long (even two minutes can be too long for some) not unlike
unwelcome, uninvited visitors. No amount
of hinting for them to go away makes an impression. Nothing seems to work in
getting rid of the pesky pests. They have no intention of departing until they’re
ready to go; not a moment before.
On the flipside, however, the good news is there are melodies
that make wonderful accompaniments to any day or any night; or both. Those are
the ones welcome to set up residence in my mind, anyway. Of course, I can only speak – sing along or
hum – for myself.
Last night I woke up in the wee small hours. As if by magic my in-built stereo began to
play. I didn’t need to press my button! It was too late for navel gazing, anyway. A
song that had been haunting me - in a very pleasant way - burst forth in my
mind. It won’t leave me alone, but I’m not complaining.
Ever since I saw the engaging Josh Groban perform the song
on TV a couple of months ago it’s stuck to me like glue. I’ve made no effort to
shake it off. It’d be pointless trying
to do so. It’s gotten under my skin. And then, just to urge it along a bit
further, he performed live on Channel 7’s “The Morning Show” last week and one
of the songs he sang was the very song that’s been playing in my mind. It’s been
on constant replay for weeks now; again, I’m not complaining. The funny thing
is though…the song has been around for years, and I’ve never really paid too
much attention to it until I saw Groban perform it.
I love Josh Groban. I could listen to him all day. In a way,
it’s what I’ve been doing.
Groban first came to my attention in 2001. Playing the role
of Malcolm Wyatt in two episodes of the quirky, entertaining television series
“Ally McBeal”, Groban’s lyrical voice had me, not at “hello”, but at first
note. From the outset he stole my heart.
When Josh appeared with Ally he was a youngster of 20 years.
Lately my days and nights are constantly accompanied by one
song; the song I saw him perform on television a couple of months ago; and then
again last week.
The magical composition that has me so enthralled is - “What
I Did for Love” - the memorable number from the multi-award winning musical, “A
Chorus Line”; composed by the late legendary Marvin Hamlisch; lyrics by Edward
Kleban. Kleban, who died from throat
cancer at the age of 48 years would’ve been thrilled by Groban’s interpretation
of his stirring lyrics. Josh did them justice.
Kleban who wrote lyrics like......... “Kiss today goodbye, the
sweetness and the sorrow”; or “Kiss today goodbye and point me toward tomorrow,
we did what we had to do – won’t forget, can’t regret; the gift was ours to
borrow…” .........was a master of pathos; a genius of understanding; of emotional
sensitivity; an intuitive thinker.
The specific lyrics that have me under their spell; the line
embedded in my mind refusing to let go is......
“Kiss today goodbye and point me toward tomorrow”.
“Kiss today goodbye and point me toward tomorrow”.
I can’t clarify the mystery surrounding those words - of why
they bestir such strong emotions within me other than to simply say - to me
they’re poignant; deeply moving; perceptively potent.
Many times over the years I’ve heard the song performed by
various artists. It’s been around since 1975.
Groban’s rendition moves me most. It’s the one that has
grabbed hold of me; it won’t let go.
Eat your heart out, Elsa! I won’t be following your advice.
I won’t “Let It Go! Let It Go!” So just
let it go! Stop harping!
“What I Did for Love” won’t let go of me, either, but I’m a
happy captive; content to be enveloped by the intense, insightful lyrics; by
the intoxicating melody. “The sweetness and the sorrow; the gift was ours to
borrow; wish me luck…the same to you”.
I succumbed to the strain and bought the CD, “Stages”. By Gosh! The classic show-stoppers are sung with love by
Josh.
Some songs are welcome to remain spinning around in the windmills of my mind; I don’t want to kiss goodbye.
Mocha Kisses: Combine 140g S.R. flour, 15g cocoa powder and 75g golden caster sugar; rub in 75g cold butter; stir in 1 beaten egg and 2tsp freshly-made espresso coffee; mix well. Roll into even walnut-size balls; place onto well-greased baking tray. Bake in preheated 180C oven, 15mins or until well risen, firm to touch and cracked on the surface. Cool on wire rack. When cool spread with a little raspberry jam on both sides; then sandwich together with butter-cream:- cream 50g softened butter; then gradually add 100g icing sugar; beat until soft and fluffy; add 2tsp freshly made espresso; mix well.
Chocolate Almond Kisses: Preheat oven 80C-100C. Mix together 140g icing sugar, 80g room temp butter, 140g ground almonds, 140g grated cooking chocolate and 60g plain flour. Form 30 little balls; lay them on lined baking sheet; leave room between each. Bake 30-35mins. Cool completely before storing.
Custard Kisses: Preheat oven 160C. Beat 250g softened butter and 75g icing sugar until pale and fluffy; add in 225g plain flour, 35g custard powder, 35g cornflour and 1/2tsp baking powder. Roll into small balls; place on lined baking sheets, leaving a little room between each. Press tops slightly. Bake 15-18mins; cool on trays; then sandwich with filling:– mix together 50g softened butter, 240g icing sugar, 3tbs custard powder, 2tsp vanilla; then add 1 to 2tbs hot water, a little at a time to adjust consistency.
Kiss Me-Tini: In ice cube-filled shaker, shake 1/4c vodka, 3tbs heavy cream, 2tbs vanilla syrup and 1tbs amaretto. Place vanilla sugar on small plate; moisten glass rim; dip into sugar to coat rim; strain cocktail into glass.